Skip to content
Chord & Fret

Harmonic field of E minor on cavaquinho

E minor: E – F# – G – A – B – C – D. In the shapes below, the tonic opens with the bass on E. On the cavaquinho, four steel strings tuned D–G–B–D pack the chord into a small, bright space — every finger counts. Its four steel strings give a bright, sharp attack that cuts through the mix and drives the beat.

Em7, 2 0 0 0Em71EGBD
i · tonic2 0 0 0
F#m7b5, 4 2 1 2F#m7b54213F#ACE
ii° · subdominant4 2 1 2
Gmaj7, 5 4 3 4Gmaj74213GBDF#
III · tonic5 4 3 4
Am7, 2 2 1 5Am72314EACG
iv · subdominant2 2 1 5
Bm7, 4 4 3 7Bm732314F#BDA
v · dominant4 4 3 7
Cmaj7, 2 4 1 2Cmaj72413EBCE
VI · subdominant2 4 1 2
D7, 4 5 3 4D72413F#CDF#
VII · subdominant4 5 3 4

This is the natural-minor field. In practice the v often becomes V (major) or V7 — borrowed from the harmonic minor — to create the leading tone that pulls back to the tonic.

These are the first positions of every degree of E minor on cavaquinho. In Chord & Fret, the Circle of Fifths opens the full field — every degree with all its positions, audio and the key's secondary dominants. Open in Chord & Fret →

See the full harmonic field of E minor →