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Chord and Fret

Harmonic field of Eb minor on cavaquinho

Eb minor: Eb – F – Gb – Ab – Bb – Cb – Db. In the shapes below, the tonic opens with the bass on Eb. On the cavaquinho, four steel strings tuned D–G–B–D pack the chord into a small, bright space — every finger counts. Its four steel strings give a bright, sharp attack that cuts through the mix and drives the beat.

Ebm7, 1 3 2 4Ebm71324EbBbDbGb
i · tonic1 3 2 4
Fm7b5, 3 1 0 1Fm7b5312FAbBEb
ii° · subdominant3 1 0 1
Gbmaj7, 4 3 2 3Gbmaj74213GbBbDbF
III · tonic4 3 2 3
Abm7, 6 4 4 4Abm743111AbBEbGb
iv · subdominant6 4 4 4
Bbm7, 3 3 2 6Bbm722314FBbDbAb
v · dominant3 3 2 6
Cbmaj7, 4 4 4 8Cbmaj741114GbBEbBb
VI · subdominant4 4 4 8
Db7, 3 4 2 3Db72413FBDbF
VII · subdominant3 4 2 3

This is the natural-minor field. In practice the v often becomes V (major) or V7 — borrowed from the harmonic minor — to create the leading tone that pulls back to the tonic.

These are the first positions of every degree of Eb minor on cavaquinho. In Chord and Fret, the Circle of Fifths opens the full field — every degree with all its positions, audio and the key's secondary dominants. Open in Chord and Fret →

See the full harmonic field of Eb minor →