Chord & FretF7 · Cavaquinho
Breathe in right now. Hold it. ...Feel your body asking for the second half? F7 is a song breathing like that — first half only. Tap the player below.
Listen first
What you just heard
Why does it sound unfinished? Inside F7, two notes are arguing: A and D#. Play the arpeggio again, no rush and catch the second and the last note — the distance between them is the tritone, the tensest interval tonal music knows. F and C keep the house standing while those two argue inside it. And an argument, you know, demands a resolution.
Now it's your hands' turn
On the cavaquinho, four steel strings tuned D–G–B–D pack the chord into a small, bright space — every finger counts. So grab the first position below; the position marked with ⭐ is the easiest to play. Now the experiment that explains this chord better than any explanation: play F7, count to three, then play A#. Felt the door close? Do it again. That relief is the reason this chord exists.
2 more shapes of this chord on the neck
Chord & Fret Pro maps 218,399 voicings and inversions — hear and play them all.
Precision Tuner — Before you play these shapes, get in tune — chromatic tuner and reference tones · see it in Chord & Fret
Save the positions below for when the blues calls: over there, this chord is the house language.
Every shape of F7 lives in Chord & Fret Pro — 4 instruments, 16 tunings, 41 chord types and 57 scales, in every key. Start free. Unlock everything with Pro. Plays offline. Free to start, no card needed.
Left-handed? Mirror's right here
What is F7?
F7: F Major with Seventh. The notes are F, A, C, Eb (fixed-do: Fa, La, Do, Mi♭) — the degrees 1–3–5–b7.
Where this chord lives
Its job is fixed: F7 is a dominant, and dominants live as VII7 in G minor. Plainly: where it enters, the song is about to leave the room. A chart full of 7th chords is a song that won't sit still.
Transpose & Capo — Need it in another key? Move the whole chart and find the easiest capo · open in Chord & Fret
Identify Chord — Found a shape on your own fretboard? The app names it back · try it in Chord & Fret
Where it tends to go
Treating F7 as the home chord (I) of its key, it usually moves toward the pre-dominant (Gm / Bb) or the dominant (C / E°) — and the dominant pulls back home. It's a tendency, not a law.
When you want to go further
For soloing, F Mixolydian (F G A Bb C D Eb · 1 2 3 4 5 6 b7: the major scale with a lowered seventh — the blues accent); F Lydian dominant (F G A B C D Eb · 1 2 3 #4 5 6 b7: a mixolydian with a raised fourth: the dominant in formalwear) cover the whole chord. And look at the first swap on the list below: that's the famous tritone substitution, a second dominant hiding three whole steps away, the one arrangers reach for when they want to arrive at the same place by a prettier road.
F Mixolydian
4 more scale positions on the neck
Part of 35,178 mapped scale shapes in Chord & Fret Pro — see and play every one.
The same F Mixolydian in its main shapes along the neck — pick whichever position sits under your hand. The rings mark the guide notes (the 3rd and 7th) that carry this chord's color.
Scale — The whole scale on the neck — in boxes or three notes per string, with an exercise and a tempo ramp · use it in Chord & Fret
Improvising in context
To improvise over F7 as home, the F Mixolydian scale covers it whole — it contains every note of the chord. And when the dominant (C) pulls back, the leading tone E is the note that wants to resolve home.
Swaps that work:
- B7B7B7B7 — Tritone substitution (shared 3rd–7th tritone)
- Cm7Cm7Cm7Cm7 — Forms a II–V: precede with this ii
- Gbdim7 — Passing diminished (ascending)
Reharmonize — Want richer substitutions? Reharmonize the progression in a tap · use it in Chord & Fret
The question this page asked has a one-click answer: A#. Don't end the day without playing both in a row.