Chord and FretG7(b5) — dominant seventh flat five
Notes in G7(b5): G – B – Db – FFormula: 1 – 3 – b5 – b7In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.
Here the fifth drops a semitone and the chord turns ambiguous on purpose: the same four notes serve two distant dominants (C7(b5) and F#7(b5)). That coincidence is the door to the tritone substitution.
The same chord on all four instruments
Where to use it: Jazz, bossa and turnarounds — the natural step toward swapping one dominant for another.
This is just one shape of G7(b5). In Chord and Fret, you check it note by note, playing any shape as an arpeggio; open every variation on the neck, grouped by bass note; and change the tuning — the shape rewrites itself. Start free. Unlock everything with Pro. Plays offline.
See the whole neck in Chord and Fret →Part of the Sevenths family.