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Chord & Fret

F#7(b9) — dominant flat ninth

Also written Gb7(b9) — the same chord, spelled the other way.

Notes in F#7(b9): F# – A# – C# – E – GFormula: 1 – 3 – 5 – b7 – b9

In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.

The 7(b9) is a dramatic dominant. The minor ninth intensifies the resolution, especially when the target chord is minor.

The same chord on all four instruments

F#7(b9), 2 1 2 0 2 0F#7(b9)2134GbBbEGDbE
Guitar
F#7(b9), 2 1 2 0 2 0F#7(b9)2134GbBbEGDbE
Electric guitar
F#7(b9), 4 3 5 5F#7(b9)2134GbBbEG
Cavaquinho
F#7(b9), 0 4 2 1F#7(b9)321GEGbBb
Ukulele

Where to use it: A dominant that resolves to a minor chord.

The shapes of F#7(b9) don't end on this page — the whole neck holds dozens. In Chord & Fret, you check it note by note, playing any shape as an arpeggio; open every variation on the neck, grouped by bass note; and set a capo — the diagrams redraw above it. Start free. Unlock everything with Pro. Plays offline.

See the whole neck in Chord & Fret →

Part of the Altered dominants family.

Other chords in this family

Gb7(#9)F#7(#11)F#7(b13)Gb7alt

See all chord types and qualities →